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Agency- Choii Height- 179 cm Bust- 32 Waist- 25 Hips- 35 |
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Height: 178 cm / 5'10" Bust: 85 cm / 33.5" Waist: 60 cm / 23.5" Hips: 90 cm / 35.5" Shoes: 40 |
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Height: 5'10" (177cm) Bust: 31" (79cm) Waist: 23" (58cm) Hips: 35" (88cm) Shoes: 38.5 Agency: Women Milan Also with: 3mmodels London |
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Height: 5'10.5" (179cm) Bust: 34" (86cm) Waist: 24" (61cm) Hips: 34" (86cm) Shoes: 8 / 41 Agency: Premier Model Management |
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Height: 6'0" (183cm) Bust: 32"C (81cm) Waist: 25" (63cm) Hips: 36.5" (93cm) Shoes: 41 Agency: Models1 London |
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A veteran of the beauty industry, legendary makeup artist Joey Mills has worked on numerous magazine spreads, runway shows and supermodels. And, if you remember that teensy jeans ad back in the 80s in which a full-browed beauty (eh hem, Brooke Shields) made us all envious of her classic beauty youd like to know that Mills was the man behind the makeup on that shoot. Below Mills fills us in about working with Shields and Calvin Klein, how we can prep our brows for the full brow look, and what his must-have beauty products are! You worked with Brooke Shields on the iconic Calvin Klein Jeans ad in the 80s. What was your inspiration for her look? Calvin Klein wanted something that was very fresh, very clean and most of all agelesswhen you see the jean ads you can see that she could be 23, 18, or 17. She was basically ageless and mainly classic. He wanted something that was peachy, complexion, bronzy, with not a lipstick color per se but a color that was rougey and didnt have anything to do with trendy or in at the momenta whole collaboration that was a fresh, clean classic look. Defined brows are back this season. How can we pull off the bold brow look, and what makeup coordinates well with it? You really have to spend as much time brushing your brows as you do brushing your hair or combing your hair particularly before you make them up. Always have a pair of tweezers in hand so you can do that natural archits all about the shape as well as the thickness. You have to look at the rest of the look with your makeup and contour it. You always should try to have a little bit of a taupey bronze colored blush and then right on top of it you should have a blush that has a little bit of a shine and a little bit of color, so contour and bone structure is key. Another tip for that is to make sure to use a very pale gold right under your eyebrows, once theyre arched. When I worked with Brooke Shields for a lot of magazine covers I always worked with eyebrow pencils and a brush to blend the eyebrows. Youve worked with everyone from Liza Minnelli to Barbara Walters. What are your tips for perfecting a natural look that is all your own? I always always work with two to three concealers under makeup moisturizer, never put makeup on until you really moisturize your face from your neck to your hairline because it gets the circulation going and follow it up around the eyes and around the nose the key to a beautiful peachy complexion are concealers. A lot of your work from the 70s and 80s is trendy again today such as the spidery lash and bold cheek color. Do you have any tips for doing these looks today? I would pull it off with a cleaner version, instead of wearing those thick fake lashes get individualsit opens up the eyes so much. Also, instead of lining underneath the eye to your nose stop of the eye and blend it out and then use a lighter color eyeliner on the inside to make your eye bigger. Youll still have the drama and it will come off very clean. Bold lip colors are a huge trend for summerdo you have any tips for how to wear these bright colors? My favorite is the Russian Red by MAC and I change it into six different tones of red by changing the lip pencil and I use the pencil as a lipstick base not as a lip lineryou can make it look dramatic, soft or even natural when going to work. And finally, what are your must have beauty products? Mac Russian Red and Mascara X those are the two favorites commercially that you can buy. The mascara has a football shaped brush that extends the lashes and separates them and if its large it will separate the small lashes really well. |
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Often cited as the make-up artists make-up artist, Lisa Butler has been a prominent leader in the field of sophisticated fashion make-up for over three decades. A highly versatile practitioner with a seemingly inexhaustible visual range, she is equally fêted for the soft and iridescent no make-up make-up she creates for fashion shows by 3.1 Philip Lim or Herve Leger as the radical stencilled faces she created for the landmark fall/winter 2008 cover shoot for Self Service. Born in Chatham, Kent, UK, Butler developed her technique through experimenting on the punks, club luminaries and festival girls that made up the creative scene in which she socialised during the 1980s. Her sensitivity to shifts in style, coupled with her renowned technical ability led to opportunities to work on Yohji Yamamotos groundbreaking advertising campaigns of the early 1990s and iconic editorial collaborations with Corinne Day. These established Butler at the forefront of the new generation of visionary imagemakers who continue to set agendas in the fashion industry today. She has longstanding working relationships with many of the foremost photographers, such as Inez van Lamsweerde & Vinoodh Matadin, David Sims, Alasdair McLellan, Mert Alas & Marcus Piggott, Ryan McGinley, Paolo Roversi and Solve Sundsbo as well as with stylists Emmanuelle Alt, Melanie Ward, George Cortina and Jane How. In portraiture, Butler tends towards an approach she achieves by beginning with an optimum feature a dramatic eye shading, for example and then reducing emphasis elsewhere to ensure a subtly balanced look overall. In fashion make-up, Butler prefers to take inspiration from oblique references to clothes, their translucency or texture for example, rather than blindly matching their palette. Her knowledge of the latest products and technologies most explicit in her use of airbrushing and collaboration with TEMPTU meanwhile enable to execute a designers most ambitious concept. Her team is a popular choice for catwalk shows, therefore, and she has created make-up looks for designers including Prada, Pucci, Missoni, 3.1 Philip Lim, Herve Leger, Roberto Cavalli, Max Azria, BCBG and Tommy Hilfiger, among many others. Butler is responsible for many of the most influential looks in advertising campaigns for luxury brands over the years, including prestige clients Yves Saint Laurent, Chloë, Lanvin, Loewe, Philosophy di Alberta Ferretti, Isabel Marant and H&M, for whom she has also been collaborating on fashion films recently. Her prodigious editorial work is also published in all of the finest international fashion publications, such as Paris Vogue, American Vogue, Italian Vogue, British Vogue, China Vogue and Japanese Vogue, W, Self Service, V, i-D, Numéro and Harpers Bazaar. |
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Agency- Liquid Models Height- 179 cm Bust- 86 cm Waist- 60 cm Hips- 89 cm Hair- Black Eyes- Brown |
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Born in Australia, Kerry Warn moved to London in the 1970s. Since his arrival in the UK, Warn has built a stellar international reputation. Such renown is only enjoyed by a handful of hair stylists worldwide. For the past decade, Warn has been an International Creative Consultant for John Frieda. Kerry works extensively in the US and UK, collaborating with magazines such as Vogue, Harpers Bazaar, Mademoiselle, Elle, Interview, Rolling Stone, Glamour, Vanity Fair, etc and working with the very top strata of models and photographers. Apart from his editorial success, Kerry has also been responsible for the looks of numerous fashion shows in Paris, Milan, New York and London as well as many high profile advertising campaigns including Prada, Blumarine, Chanel, Armani, Escada, TAG Heuer, The Gap, Bergdorf Goodman, Macys, Saks and Barneys. Discovered by legendary film director Stanley Kubrick, Kerry Warn started his foray into film with EYES WIDE SHUT. Without precedent, Warn has successfully managed to combine his print career with outstanding work in the world of Film ever since. Kerry was the Chief Hair Designer on Baz Luhrmanns latest epic, AUSTRALIA. His previous credits include NINE directed by Rob Marshall, JUST GO WITH IT directed by Dennis Dugan, THE GOLDEN COMPASS directed by Chris Weitz, BEWITCHED directed by Nora Ephron, THE STEPFORD WIVES directed by Frank Oz, BIRTH directed by Jonathan Glazer, COLD MOUNTAIN directed by Anthony Minghella, THE HUMAN STAIN directed by Robert Benton, DOGVILLE directed by Lars von Trier and THE HOURS directed by Stephen Daldry. Kerry has also designed for MARGOT AT THE WEDDING directed by Noah Baumbach, THE INVASION directed by Oliver Hirschbiegel, FUR directed by Steven Shainberg and THE INTERPRETER directed by Sydney Pollack. With an impressive resume of films and thousands of cover and editorial pages to his credit, Kerrys client list includes such names as Adele, Nicole Kidman, Kylie Minogue, Thandie Newton, Mia Wasikowska, Gemma Arterton, Jennifer Lopez, Emma Watson, Anne Hathaway, HRH Princess Haya, Sandra Bullock, Kirsten Dunst, Lily Allen, Fearne Cotton, Rosamund Pike, Emily Watson, Mira Sorvino, Terri Hatcher, Sophia Loren, Sharon Stone, Isabella Rosselini, Diana Ross, Heidi Klum, Cindy Crawford, Linda Evangelista, Kate Moss, Naomi Campbell, Christy Turlington, Tom Cruise, Kevin Costner, Clint Eastwood and Robbie Williams. |
